Chandas-Nirṇaya: Āpīḍa to Gāthā—Pāda, Gaṇa, and Special Substitutions
(इति पदचतुरूर्ध्वप्रकरणम्) / सजौ सलौ च प्रथमे नसजा गो द्वितीयके / तृतीये भनभा गश्च चतुर्थे सजसा जगौ
(iti padacaturūrdhvaprakaraṇam) / sajau salau ca prathame nasajā go dvitīyake / tṛtīye bhanabhā gaśca caturthe sajasā jagau
(هكذا تنتهي فقرةُ «الأقدام الأربعة» وترتيبِها الصاعد.) في الأول «sajau» و«salau»؛ وفي الثاني «nasajā» و«go»؛ وفي الثالث «bhanabhā» و«ga»؛ وفي الرابع «sajasā» و«jagau».
Suta (narrator) / Purana compiler voice (instructional metrical note)
Concept: Mnemonic enumeration of gaṇa patterns across four arrangements; knowledge preserved through compact formulae.
Vedantic Theme: Śabda as carrier of knowledge; compression (saṅkṣepa) enabling faithful transmission.
Application: Use the listed gaṇa pairs per case as a mnemonic key when scanning or teaching the ‘pada-caturūrdhva’ arrangements.
Primary Rasa: shanta
Related Themes: Garuda Purana 1.211.1-3 (definitions leading to this summary); Garuda Purana 1.211.5 (additional patterns ‘Saurabhaka’, ‘Lalita’)
This verse functions as a technical summary (colophon-style) listing mnemonic pattern-names used to classify verse-structure; it helps preserve correct recitation and textual transmission.
It does not describe afterlife doctrine directly; it is a prosodic/structural note about how the text’s verses are organized or recited.
Use it as a guide for accurate chanting and study—maintaining correct meter and pronunciation supports faithful learning, recitation, and archiving of Garuda Purana passages.