Navavyūha-pūjāvidhi: Bhūta-śuddhi, Nyāsa, Yogapīṭha, Maṇḍala-racanā, Mudrā-prayoga
बाह्वोश्च करयोर्जान्वोः पादयोश्चापि विन्यसेत् / पद्माकारौ करौ कृत्वा मध्ये ऽङ्गुष्ठं निवेशयेत्
bāhvośca karayorjānvoḥ pādayoścāpi vinyaset / padmākārau karau kṛtvā madhye 'ṅguṣṭhaṃ niveśayet
ويُوضَع (النّياسا) على الذراعين، وعلى اليدين، وعلى الركبتين، وكذلك على القدمين. وبجعل الكفّين على هيئة اللوتس، تُوضَع الإبهامان في الوسط.
Lord Viṣṇu (in instruction to Garuḍa / Vinatā-putra)
Concept: Mudrā and nyāsa integrate body and mantra, expressing inner purity (padma) and centeredness (thumbs in the middle).
Vedantic Theme: Upāsanā as citta-ekāgratā training; symbolic lotus indicates detachment amid action (karma-yoga resonance).
Application: Place mantra-energy on arms, hands, knees, feet; then form padmākāra with both hands and set thumbs centrally while maintaining dhyāna.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: limb-points and hand-mudrā as ritual topography
Related Themes: Garuda Purana 1.11.7 (aṅga-nyāsa points); Garuda Purana 1.11.9 (dhyāna on the supreme and finger placements)
This verse treats the lotus-shaped formation of the hands as a precise ritual/disciplinary gesture (mudrā-like arrangement), emphasizing bodily order and symbolic purity associated with the lotus.
Indirectly: it focuses on correct bodily arrangement and disciplined practice, which the Garuda Purana frequently frames as supportive of purification and right conduct—foundational for auspicious outcomes beyond death.
Use it as a reminder that spiritual practice is strengthened by careful posture and intentional hand placement—approach rituals, meditation, and prayer with precision rather than haste.