The Birth and Consecration of Skanda (Kartikeya) at Kurukshetra
एतानि भूतानि गणांश्च मातरो दृष्ट्वा महात्मा विनतातनूजः ददौ मयूरं स्वसुतं महाजवं तथारुणस्ताम्रचूडं च पुत्रम्
etāni bhūtāni gaṇāṃśca mātaro dṛṣṭvā mahātmā vinatātanūjaḥ dadau mayūraṃ svasutaṃ mahājavaṃ tathāruṇastāmracūḍaṃ ca putram
Seeing these beings—gaṇas and Mothers—the great one, the son of Vinatā, bestowed (as attendants): the peacock, his own very swift son; and likewise Aruṇa gave (his) son, Tāmra-cūḍa.
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Yes. In Purāṇic usage, “Vinatā’s son” is a standard epithet of Garuḍa. The pairing with Aruṇa (also a son of Vinatā) further confirms the identification.
The verb “dadau” here functions like ‘assigned/appointed’ within a catalogue of attendants linked to a sacred complex. The peacock (mayūra) is a potent emblem in Indian religious iconography (notably as Skanda’s vāhana), and its inclusion suggests a layered retinue where bird-beings and divine vehicles are stationed as guardians/markers of sanctity.
Tāmra-cūḍa (‘copper-crested’) is presented as a named avian/attendant figure. By making him Aruṇa’s son, the text anchors him in a recognized mythic genealogy, thereby legitimizing his presence in the tīrtha’s sacral roster.