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Ramayana — Ayodhya Kanda, Sarga 15, Shloka 38

अभिषेकसज्जा तथा सुमन्त्रस्य प्रेषणम्

Coronation Preparations and Sumantra’s Commission

महाकवाटविहितं वितर्दिशतशोभितम्।।2.15.32।।काञ्चनप्रतिमैकाग्रं मणिविद्रुमतोरणम्। शारदाभ्रघनप्रख्यं दीप्तं मेरुगुहोपमम्।।2.15.33।।मणिभिर्वरमाल्यानां समुहद्भिरलंकृतम्।मुक्तामणिभिराकीर्णं चन्दनागरूधूपितम्।।2.15.34।।गन्धान्मनोज्ञान् विसृजद्दार्दुरं शिखरं यथा।सारसैश्च मयूरैश्च विनदद्भिर्विराजितम्।।2.15.35।।सुकृतेहामृगाकीर्णं सुकीर्णं भक्तिभिस्तथा।मनश्चक्षुश्च भूतानामाददत्तिग्मतेजसा।।2.15.36।।चन्द्रभास्करसङ्काशं कुबेरभवनोपमम्।महेन्द्रधामप्रतिमं नानापक्षिसमाकुलम्।।2.15.37।।मेरुशृङ्गसमं सूतो रामवेश्म ददर्श ह।उपस्थितैःसमाकीर्णं जनैरञ्जलिकारिभिः।।2.15.38।।उपादाय समाक्रान्तैस्तथा जानपदैर्जनैः।रामाभिषेकसुमुखैरुन्मुखैस्समलंकृतम्।।2.15.39।।महामेघसमप्रख्यमुदग्रं सुविभूषितम्।नानारत्नसमाकीर्णं कुब्जकैरातकावृतम्।।2.15.40।।

mahākavāṭavihitaṃ vitardiśataśobhitam || 2.15.32 ||

kāñcanapratimaikāgraṃ maṇividrumatōraṇam |

śāradābhraghanaprakhyaṃ dīptaṃ mēruguhōpamam || 2.15.33 ||

maṇibhir varamālyānāṃ samūhadbhir alaṅkṛtam |

muktāmaṇibhir ākīrṇaṃ candanāgarudhūpitam || 2.15.34 ||

gandhān manojñān visṛjad dārduraṃ śikharaṃ yathā |

sārasaiś ca mayūraiś ca vinadadbhir virājitam || 2.15.35 ||

sukṛtēhāmṛgākīrṇaṃ sukīrṇaṃ bhaktibhis tathā |

manaś cakṣuś ca bhūtānām ādadat tigma-tejasā || 2.15.36 ||

candrabhāskarasaṅkāśaṃ kubērabhavanōpamam |

mahēndradhāmapratimaṃ nānāpakṣisamākulam || 2.15.37 ||

mēruśṛṅgasamaṃ sūto rāmavēśma dadarśa ha |

upasthitaiḥ samākīrṇaṃ janair añjalikāribhiḥ || 2.15.38 ||

upādāya samākrāntais tathā jānapadair janaiḥ |

rāmābhiṣēkasumukhair unmukhaiḥ samalaṅkṛtam || 2.15.39 ||

mahāmēghasamaprakhyam udagraṃ suvibhūṣitam |

nānāratnasamākīrṇaṃ kubjakairātakāvṛtam || 2.15.40 ||

Sumantra beheld Rāma’s palace: secured with massive double doors and adorned with hundreds of galleries; crowned with golden figures and fitted with gem-and-coral arches. Bright like dense autumn clouds, it shone like a cavern of Mount Meru. It was decorated with excellent garlands and jewels; strewn with pearls; perfumed with sandal and aloe-wood, sending forth mind-delighting fragrance like the peak of Dārdura. Graced by the calls of sārasas and peacocks, filled with finely wrought carvings and rich ornamentation, it captivated the eyes and minds of all beings by its sharp brilliance. Resplendent like moon and sun, like Kubera’s abode and akin to Mahendra’s dwelling, it teemed with birds of many kinds. Lofty as Meru’s summit, it was crowded with people who had arrived with folded hands, and with countryfolk bearing gifts—faces uplifted in eager anticipation of Rāma’s consecration. High and splendid like a vast cloud, richly adorned and filled with many gems, it was also thronged with hunchbacks and Kirātas (hunters).

मेरु-शृङ्ग-समम्like the peak of Mount Meru
मेरु-शृङ्ग-समम्:
Karma (कर्म)
TypeAdjective
Rootमेरु (प्रातिपदिक) + शृङ्ग (प्रातिपदिक) + सम (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); उपमा-विशेषण (comparative adjective)
सूतःthe charioteer
सूतः:
Karta (कर्ता)
TypeNoun
Rootसूत (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular)
राम-वेश्मRama's palace
राम-वेश्म:
Karma (कर्म)
TypeNoun
Rootराम (प्रातिपदिक) + वेश्मन्/वेश्म (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); षष्ठी-तत्पुरुष (genitive determinative): 'रामस्य वेश्म'
ददर्शsaw
ददर्श:
Kriya (क्रिया)
TypeVerb
Rootदृश् (धातु)
Formलिट्-लकार (Perfect), परस्मैपद (Parasmaipada), प्रथमपुरुष (3rd person), एकवचन (Singular)
indeed/just (particle)
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootह (अव्यय)
Formनिपात (particle), पदपूरण/अनुवादक (emphatic/expletive)
उपस्थितैःby those who had arrived/present
उपस्थितैः:
Karana (करण)
TypeAdjective
Rootउपस्थित (कृदन्त; उप-स्था + क्त)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), बहुवचन (Plural); क्त-प्रत्ययान्त (past passive participle) अर्थे 'आगतैः/समागतैः'
समाकीर्णम्filled/thronged
समाकीर्णम्:
Karma (कर्म)
TypeAdjective
Rootसमाकीर्ण (कृदन्त; सम्-आ-√कॄ/किर् + क्त)
Formनपुंसकलिङ्ग (Neuter), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); क्त-प्रत्ययान्त (PPP)
जनैःby people
जनैः:
Karana (करण)
TypeNoun
Rootजन (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), बहुवचन (Plural)
अञ्जलि-कारिभिःby those with folded hands (saluting)
अञ्जलि-कारिभिः:
Karana (करण)
TypeAdjective
Rootअञ्जलि (प्रातिपदिक) + कारिन् (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), बहुवचन (Plural); उपपद-तत्पुरुष: 'अञ्जलिं करोति' (one who makes a folded-palms salutation)

The charioteer (Sumantra) beheld Rama's palace closed with two heavy-panelled doors. Adorned with hundreds of galleries, it had a peak mounted with golden idols. The arches were studded with different gems and corals. Bright like dense autumnal cloud, it shone like the cave of mount Meru. It was ornamented with excellent garlands and precious diamonds. Pearls were strewn around. Decorated with sandal and aloe wood, it emitted, like the peak of mount Dardura, captivating fragrance৷৷ Sarasas and peacocks were singing sweetly. The palace was full of skilfully carved images of deer and other embellishments. It attracted the minds and the eyes of all living beings with brilliant splendour. Resplendent like the Sun and the Moon, it looked like the abode of Kubera and a reflected image of the abode of Mahendra. It was crowded with birds of various kinds. In height it was equal to the peak of mount Meru. Villagers thronged the palace with gifts, eagerly waiting with folded hands to see the spectacle of Rama's coronation. Lofty, it looked like a vast cloud. Well-decked and filled with various gems, it was crowded with hunchbacks and kiratas (hunters) too.

S
Sumantra
R
Rāma
R
Rāmaveśma (Rāma’s palace)
M
Meru
K
Kailāsa (implicit by earlier context, not in these pādas)
K
Kubera
M
Mahendra (Indra)
C
Candra (Moon)
B
Bhāskara (Sun)
D
Dārdura (mountain)
S
sārasa (cranes)
M
mayūra (peacocks)
K
Kirāta (hunters)

FAQs

The palace imagery supports the Ramayana’s dharmic ideal of kingship: prosperity, beauty, and public order are presented as the outward signs of a righteous succession, welcomed by the people in a spirit of reverence and social harmony.

Sumantra arrives at Rāma’s residence and observes its grandeur and the crowds gathered with offerings and folded hands, anticipating the coronation.

Lokānurāga (public goodwill) toward a dharmic ruler, and śraddhā (reverent anticipation) shown by the assembled people awaiting Rāma’s abhiṣeka.